[15:23 Fr,12.August 2016 [e] von Thomas Richter] |
Blackmagic hat nach dem erst vor 2 Monaten erschienenen großen
Im Editingbereich neu ist die Möglichkeit, Clips nach Flags, Markern oder Farben auszuwählen, per EDL  Duration Marker zu im- oder exportieren und Clips an ihren Markern bei der Auswahl von In oder Out Punkten einrasten zu lassen. Coloristen dürfen sich freuen über die verbesserte Performance bei der Spatial Noise-Reduction im "Better"-Modus und verschiedene Tweaks, die die alltägliche Arbeit vereinfachen sollen. ;) DaVinci Resolve 12.5 Des weiteren werden neue Formate wie H.265 (unter Linux), Alpha Kanal DNxHR 444 und der neue  16-bit Sony X-OCN-Codec unterstützt. Das Update ist wie immer für beide Versionen - die kostenlose ebenso wie die Studio - von DaVinci Resolve frei runterladbar. Hier die vollständige Liste der Verbesserungen und Neuerungen: Edit Improvements -Improved 2-up and 4-up, multicam and playback performance when using QuickTime ProRes on Windows -Added menu items to allow selection of clips based on Flag, Marker and Clip colors on the edit timeline -Added ability to import and export duration markers using EDL -Added the ability for clips to snap to their own markers when adjusting In and Out points -Improved consistency of edit functions when Timeline is in full screen mode -Added support for box wipe mode for offline reference wipe -Added ability to extract AAF import log information as timeline markers Color Improvements -Improved performance for Spatial Noise reduction in Better mode -Improved listing of attached and timeline mattes in the node graph with support for alphabetical listing -Added ability to apply grades from a reference wipe using the viewer context menu -Added ability to align keyframe timelines of color grades using playhead position and wiped still frame -Next node and previous node operations now loop around the node graph -The ‘displayed’ node graph now automatically updates when the current still is changed -Swapping nodes now also swaps the node labels -Rippling grades now also copies node labels, Power Window labels and node cache settings -Shift Up + Next Still will now append grade from the current still on the advanced control panel (Studio version) -Added support for left eye and right eye grades for the timeline node graph (Studio version) -Added ability to convert a mono timeline into stereoscopic 3D (Studio version) -Added ability to convert a mono clip into stereoscopic 3D (Studio version) -Added support for sequence and node render caching for stereoscopic clips and timelines (Studio version) -Added compensation for stereoscopic slip when exporting timecodes in ALE (Studio version) -Added support copying DolbyVision grades using stills and middle click (Studio version) -Improved 3D and Qualifier panel layout in dual screen mode -Improved behavior to stay on the same frame when joining two clips Resolve FX Improvements -Added ResolveFX Generate Color (GPU accelerated) -Added ResolveFX Tilt-shift Blur -Added support for anamorphism in ResolveFX Lens Blur (Studio version) -GPU acceleration support for ResolveFX Lens Flare (Studio version) -Ability to adjust Shadows/Midtones/Highlights in ResolveFX Film Grain in all compositing modes (Studio version) -GPU acceleration support for ResolveFX Emboss , Waviness, Vortex, Ripples, Dent, Mirror -Improved ResolveFX Scanlines and added various composite modes -Ability to view the ResolveFX Scanline layer without the background -Improved border behavior for ResolveFX Gaussian Blur , Directional Blur, Mosaic Blur, Radial Blur and Zoom Blur -Added support for horizontal/vertical ratio in ResolveFX Glow -Added support for pan and tilt on ResolveFX Prism Blur -Improved performance for ResolveFX Light Rays -Improved performance for ResolveFX JPEG Damage Media Improvements -Added new Import Media options to File menu and Media Pool context menu -Added support for stereoscopic 3D clips in Media Management (Studio version) -Added support for display drive names in Media Storage on Windows -Addressed issues with open file location from Media Pool on Linux -Added Source Name tag support for filename without extension -Added support for automatically setting pixel aspect ratio for anamorphic ARRIRAW MXF clips Codec & Format Improvements -Added support for ProRes decode on Windows -Improved QuickTime decode and encode performance on Windows -Support for UHD H.264 renders on Windows -Improved QuickTime decode and encode performance on Linux -Added support for HEVC (H.265) decode on Linux -Added support for alpha channel in DNxHR 444 -Added support for the Sony X-OCN format -Added support for various AAC encode parameters on macOS -Added support for QuickTime AAC audio encoding on Windows -Added support for encoding QuickTime Photo JPEG files -Added support for decoding AVCHD files from the Sony NEX-FS700 camera -Added support for V-Gamut in RCM for improved Panasonic camera image handling -Added ARRI LogC to Linear and Linear to ARRI LogC LUTs in VFX I/O -Addressed decoding of last frame in some Panasonic AVCHD clips -Improved handling of AVCHD .MTS clips -Added support for RED SDK v6.2.1 General Improvements -Alpha-numerical listing of codecs and format in the Deliver and Media Management pulldowns -When running DaVinci Resolve in window mode, the macOS dock is now visible -Improved latency for remote grading (Studio version) -Improved handling of dissolves and overlapping clips in DolbyVision metadata export (Studio version) -Improved behavior when creating render jobs on locations without write permissions -General performance and stability improvements  mehr Informationen bei www.blackmagicdesign.com |
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