Noch was unklar? Dann in unserem Forum nachfragen
Zum Original-Thread / Zum Videoschnitt Allgemein-Forum

Infoseite // NITECORE Superior Prime Full Frame Cinema Lenses



Frage von Frank Glencairn:


Hmm....

erinnert mich ein bisschen an meine alten Zeiss Zebras.
Das schöne ist, daß es von den Nitecore auch 25er und 35er gibt.
NITECORE releases the innovatively designed Superior Prime Full Frame Cinema Lenses which have an optimum optical quality and allow filmmakers to best attain their techniques of artistic expression.
All Lenes have T-Stop 2.0 and front fiter diameter is at every lens the same 95mm, and the lens have all the same length.

Rigor and individuality
The NITECORE SP Lenses are designed with a unique optical coating with ideally controls dispersion while retaining plentiful details to create low contrast and a stylized flare. The SP 75mm lens
is specially optimized on the skin details in a portrait. The NITECORE SP Lenses also have a high flexibility to be equipped with interchangeable PL, Canon EF and Sony E mounts for the needs
of different camera users. The PL mount is included in the original package.

Bigger format, wider vision
The S46.5mm format sensors of the NITECORE SP Lenses create more possibilities for the filmmakers and cover the full frame format which is fully compatible with ARRI Alexa LF, Red Monstro VV, Panavision DXL2, SONY Venice, Canon C700 FF and other film cameras to be released in the future.

Pure cinematic performance
The apochromatic optical design provides outstanding performance in terms of ratio and axial dispersion. It achieves a natural and pure color rendering capability with the purple/green fringing hardly seen either within focus or in bokeh.

https://www.dedoweigertfilm.de/dwf-en/b ... tecore.php





Space


Noch was unklar? Dann in unserem Forum nachfragen
Zum Original-Thread / Zum Videoschnitt Allgemein-Forum

Antworten zu ähnlichen Fragen //


Neue DZO Full Frame Primes
Schneider Kreuznach: Full Frame Primes und 14 mm Cine Xenar III
Leitz HUGO Cinema-Primes
NITECORE Superior Prime Full Frame Cinema Lenses
The Look of ARRI Signature Prime Lenses
Mitakon Speedmaster T1.0 Cinema Lenses
ZEISS: Flares für High-End Supreme Prime Cine-Objektive: Supreme Prime Radiance
The "Ultimate Full Frame Lens Test"
SIRUI 50mm T2.9 1.6x Full-Frame Anamorphic Lens
Full Frame vs. Crop
Neue Sensoren von Canon - 4,6K S-35 sowie 5.7K Full Frame mit Global Shutter
Viltrox 16mm f/1.8 FE - Full Frame Sony E Weitwinkel mit OLED Display
Gerücht: Panasonic bringt ultrakompakte Full Frame-VLogger-Kamera
Nitecore NFZ100: Intelligenter Akku für Sony Alpha Kameras mit eigener App
Nitecore USN3 Pro, Charger für NP-F, Fehlkauf?
kein Sound wenn man frame für frame springt
Frame Sampling, Frame Überblendung oder Optischer Fluss
Tokina kündigt weitere Cinema Vista Prime Objektive an - 21mm T1,5 und 29mm T1,5
Tokina veröffentlicht 21mm T1.5 und 29mm T1.5 Cinema Vista Prime Objektive
Canon Announces Company’s First 8K Capable Broadcast Lenses




slashCAM nutzt Cookies zur Optimierung des Angebots, auch Cookies Dritter. Die Speicherung von Cookies kann in den Browsereinstellungen unterbunden werden. Mehr Informationen erhalten Sie in unserer Datenschutzerklärung. Mehr Infos Verstanden!
RSS Suche YouTube Facebook Twitter slashCAM-Slash