Spezifikationen der Fujifilm X-H2S

[Jörg]

Wer nicht auf die offizielle Bekanntmachung warten möchte, etwas Lesestoff zum Frühstück...;-))

Here are the full specs of the Fujiflm X-H2S as leaked by Nokishita.
https://www.fujirumors.com/leaked-full- ... ilm-x-h2s/

Price of X-H2S: $2,499
File Transfer Grip: $999
Normal vertical Grip $399
Fan: $299

Full Specs

Number Of Effective Pixels 26.16 millions pixels
Image Sensor: 23.5mm x 15.6mm (APS-C) X-Trans CMOS 5 HS with primary color filter
Sensor Cleaning System Ultra Sonic Vibration
Storage Media: SD Card (-2GB) / SDHC Card (-32GB) / SDXC Card (-2TB) / UHS-I / UHS-II / Video Speed Class V90 / CFexpress Type B Card (-2TB)
File Format (Still): JPEG-Exif Ver.2.32, HEIF-4:2:2 10bit, RAW-14bit RAW (RAF original format), TIFF-8bit / 16bit RGB (In-camera Raw Conversion Only)
Number Of Recorded Pixels: L: [3:2] 6240×4160 [16:9] 6240×3512 [1:1] 4160×4160 M: [3:2] 4416×2944 [16:9] 4416×2488 [1:1] 2944×2944 S: [3:2] 3120×2080 [16:9] 3120×1760 [1:1] 2080×2080
Lens Mount: FUJIFILM X mount
Sensitivity Standard Output: STILL: AUTO1/ AUTO2/ AUTO3/ ISO160-12800 (1/3 step) MOVIE: AUTO/ ISO160-12800 (1/3 step)
Sensitivity Extended Output: STILL: ISO80/I SO100/ ISO12/ ISO25600/ ISO51200 MOVIE: ISO25600
Exposure Control: TTL 256-zone metering/ Multi/ Spot/Average/ Center Weighted
Exposure Mode: P (Program AE)/ A (Aperture Priority AE)/ S (Shutter Speed Priority AE)/ M (Manual Exposure)
Exposure Compensation: STILL: -5.0EV-+5.0EV (1/3EV step)/ MOVIE: -2.0EV-+2.0EV (1/3EV step)
Image Stabilizer Mechanism: Image sensor shift mechanism with 5-axis compensation
Image Stabilizer Compensation Effect: Up to 7.0 stops (based on CIPA standard). Pitch/yaw shake only, with XF35mmF1.4 R lens attached.
Digital Image Stabilization Yes, movie mode only: Image Stabilizer Is Mode Boost Yes, movie mode only
Shutter Type: Focal Plane Shutter
Mechanical Shutter Speed: P mode: 4sec to 1/8000
A mode: 30sec to 1/8000 S/M mode: 15min to 1/8000 Bulb mode: up to 60min
Electronic Shutter Speed
P mode: 4sec to 1/32000
A mode: 30sec to 1/32000 S/M mode: 15min to 1/32000 Bulb mode: 1sec Fixed
Electronic Front Curtain Shutter Speed P mode: 4sec to 1/8000
A mode: 30sec to 1/8000
S/M mode: 15min to 1/8000 Bulb mode: up to 60min
Mechanical + Electronic Shutter Speed P mode: 4sec to 1/32000
A mode: 30sec to 1/32000
S/M mode: 15min to 1/32000 Bulb mode: up to 60min
E-Front + Mechanical Shutter Speed P mode: 4sec to 1/32000
A mode: 30sec to 1/32000 S/M mode: 15min to 1/32000 Bulb mode: up to 60min
E-Front+Mech+Electronic Shutter Speed P mode: 4sec to 1/32000
A mode: 30sec to 1/32000
S/M mode: 15min to 1/32000
Bulb mode: up to 60min Shutter Speed Movie
6.2K: 1/8000 to 1/24
DCI 4K/4K: 1/8000 to 1/4 sec. FHD: 1/8000 to 1/4 sec.
Synchronized Shutter Speed For Flash Mechanical Shutter: 1/250sec. or slower Electronic Shutter: 1/125sec. or slower
Continuous Shooting
Electronic Shutter Approx. 40fps (JPEG: 184 frames, Compressed RAW: 175 frames, Lossless Compressed RAW 170 frames, Uncompressed RAW: 140 frames)
Electronic Shutter Approx. 30fps (JPEG: 1000+ frames, Compressed RAW: 270 frames, Lossless Compressed RAW 250 frames, Uncompressed RAW: 180 frames)
Electronic Shutter Approx. 20fps (JPEG: 1000+ frames, Compressed RAW: 1000+ frames, Lossless Compressed RAW 1000+frames, Uncompressed RAW: 800 frames)
Electronic Shutter Approx. 15fps (JPEG: 1000+ frames, Compressed RAW: 1000+ frames, Lossless Compressed RAW 1000+frames, Uncompressed RAW: 1000 frames)
Mechanical Shutter Approx. 15fps (JPEG: 1000+ frames, Compressed RAW: 1000+ frames, Lossless Compressed RAW 1000+frames, Uncompressed RAW: 1000 frames)
Mechanical Shutter Approx. 10fps (JPEG: 1000+ frames, Compressed RAW: 1000+ frames, Lossless Compressed RAW 1000+frames, Uncompressed RAW: 1000+frames)
Mechanical Shutter Approx. 8.0fps (JPEG: 1000+ frames, Compressed RAW: 1000+ frames, Lossless Compressed RAW 1000+frames, Uncompressed RAW: 1000+frames)
Electronic Shutter Approx. 40fps (While half press 40 frames, After full press 110 frames, Total 150 frames)
Electronic Shutter Approx. 30fps (While half press 30 frames, After full press 1000+ frames)
Electronic Shutter Approx. 20fps (While half press 20 frames, After full press 1000+ frames)
Electronic Shutter Approx. 15fps (While half press 15 frames, After full press 1000+ frames)
AE Bracketing
AE Bracketing (Frames: 2, 3, 5, 7, 9 Step: by 1/3EV step, up to +/-3EV steps)
Film simulation bracketing (Any 3 types of film simulation selectable) Dynamic Range Bracketing (100%, 200%, 400%)
ISO sensitivity Bracketing ( +/-1/3EV, +/-2/3EV, +/-1EV)
White Balance Bracketing ( +/-1, +/-2, +/-3)
Focus Bracketing (AUTO, MANUAL)
Multiple Exposure Yes (Max. 9 frames)Additive, Average, Bright, Dark HDR Mode (AUTO, 200%, 400%, 800%, 800%+)
Advanced filter Toy camera, Miniature, Pop color, High-key, Low-key, Dynamic tone, Soft focus, Partial color (Red / Orange / Yellow / Green / Blue / Purple
Focus Mode
Single AF/ Continuous AF/ MF
Focus Type
Intelligent Hybrid AF (TTL contrast AF / TTL phase detection AF)
Focus Low-Light Performance Contrast: -4.0EV
Phase Detection: -7.0EV AF Frame Selection
Single point AF: 13 x9/ 25 x17 (Changeable size of AF frame) Zone AF: 3 x3/ 5 x5/ 7 x7 from 117 areas on 13 x9 grid Wide/Tracking AF AF-S: Wide/ AF-C: Tracking, All
White Balance
Auto (WHITE PRIORITY, AUTO, AMBIENCE PRIORITY)/ Custom1 – 3/ Color temperature selection (2500K-10000K)/ Preset Daylight, Shade, Fluorescent Light-1, Fluorescent Light-2, Fluorescent Light-3, Incandescent Light, Underwater
Self-Timer 10sec./2sec.
Interval Timer Shooting
Yes (Setting : Interval, Number of shots, Starting time, Interval timer shooting exposure smoothing)
Flash
EF-X8 Guide Number approx. 11 (ISO200m) / approx. 8 (ISO100m)
Flash Sync Mode
EF-X8: 1st Curtain/ 2nd Curtain
Shoe Mount Flash: 1st Curtain/ 2nd Curtain AUTO FP (HSS) Synchronized terminal: 1st Curtain/ 2nd Curtain.
Flash Mode
TTL (TTL AUTO / STANDARD / SLOW SYNC. ) / MANUAL / COMMANDER / OFF Shoe Mount Flash TTL (TTL AUTO) / STANDARD / SLOW SYNC. ) / MANUAL / MULTI
Hot Shoe
Yes (Dedicated TTL Flash compatible)
Viewfinder EVF
0.5″ approx. 5.76 million dots OLED Color Viewfinder
Coverage of viewing area vs. capturing area: approx. 100%
Eyepoint: approx. 24mm (from the Rear End of the camera’s Eyepiece) Diopter adjustment: -5-+3m-1
Magnification: 0.80 x with 50mm lens (35mm equivalent) at infinity and Diopter set to -1.0m-1
Diagonal angle of view: approx. 40 Degree (Horizontal angle of view: approx. 32 Degree ) Built-in eye sensor
LCD Monitor
3.0″ vari-angle Touch Screen Color LCD Monitor Aspect Ratio 3:2
Resolution: Approx. 1.62 million dots
Touch Screen Shooting Mode
Shooting, AF, Focus Area, OFF, Double Tap Setting (ON/OFF), Touch Function Setting (ON/OFF), EVF Touch Screen Area Setting
Touch Screen Playback Mode
Swipe, Pinch-in / Pinch-out, Double-tap, Drag
Sub LCD Monitor
1.28″ Monochrome LCD Monitor, Aspect Ratio 1:1, Dots 128×128-dot
File Format (Movie)
MOV/ Apple ProRes (422, HQ, LT)
Audio: Linear PCM/ Stereo Sound (24bit / 48KHz sampling) HEVC/ H.265
Audio: Linear PCM / Stereo sound (24bit / 48KHz sampling) MPEG-4, AVC/ H.264
Audio: Linear PCM / Stereo sound (24bit / 48KHz sampling) MP4, MPEG-4, AVC/ H.264
Audio: AAC
Movie Compression
All Intra/Long-GOP
File Size/Frame Rate/Recording Time
6.2K [3:2] – 6240 x4160
29.97p/ 25p/ 24p/ 23.98p
720Mbps/ 360Mbps/ 200Mbps/ 100Mbps/ 50Mbps DCI 4K [17:9] – 4096 x2160
59.94p/ 50p/ 29.97p/ 25p/ 24p/ 23.98p
720Mbps/ 360Mbps/ 200Mbps/100Mbps/50Mbps
4K [16:9] – 3840 x2160
59.94p/ 50p/ 29.97p/ 25p/ 24p/ 23.98p
720Mbps/ 360Mbps/ 200Mbps/ 100Mbps/ 50Mbps
Full HD [17:9] – 2048 x1080
59.94p/ 50p/ 29.97p/ 25p/ 24p/ 23.98p
720Mbps/ 360Mbps/ 200Mbps/ 100Mbps/ 50Mbps
Full HD [16:9] – 1920 x1080
59.94p/ 50p/ 29.97p/ 25p/ 24p/ 23.98p
720Mbps/ 360Mbps/ 200Mbps/ 100Mbps/ 50Mbps
DCI4K High speed rec. [17:9] – 4096×2160
120p/100p
720Mbps(recording)/ 360Mbps(recording)/ 200Mbps(recording)
4K High speed rec. [16:9] – 3840×2160
120p/100p
720Mbps(recording)/ 360Mbps(recording)/ 200Mbps(recording) Full HD High speed rec. [17:9] – 2048×1080
240p/200p/ 120p/ 100p
720Mbps(recording)/ 360Mbps(recording)/ 200Mbps(recording) Full HD High speed rec. [16:9] – 1920×1080
240p/200p/ 120p/ 100p/
720Mbps(recording)/ 360Mbps(recording)/ 200Mbps(recording)
Film Simulation Mode
19 modes (PROVIA/Standard, Velvia/Vivid, ASTIA/Soft, Classic Chrome, PRO Neg.Hi, PRO Neg.Std, Classic Neg., Nostalgic Neg., ETERNA Cinema, ETERNA BLEACH BYPASS, ACROS, ACROS + Ye Filter, ACROS + R Filter ACROS + G Filter, Black & White, Black & White + Ye Filter, Black & White + R Filter, Black & White + G Filter, Sepia)
Clarity Setting +/-5 steps
Monochromatic Color Yes
Grain Effect
Roughness STRONG, WEAK, OFF, Size LARGE, SMALL
Color Chrome Effect STRONG, WEAK, OFF
Color Chrome Blue STRONG, WEAK, OFF
Dynamic Range Setting
AUTO, 100%, 200%, 400%
ISO restriction (DR100%: No limit, DR200%: ISO320 or more, DR400%: ISO640 or more)
Dynamic Range Setting (Movie) 100%, 200%, 400%
ISO restriction (DR100%: No limit, DR200%: ISO320 or more, DR400%:
ISO640 or more) Wireless Transmitter Standard
IEEE802.11a/b/g/n/ac (standard wireless protocol) Wireless Transmitter Encryption
WEP/WPA/WPA2 mixed mode Wireless Transmitter Access Mode
Infrastructure Bluetooth Standard
Bluetooth Ver. 4.2 (Bluetooth low energy)
Bluetooth Operating Frequency 2402 – 2480MHz
Terminal – Digital Interface
USB Type-C (USB3.2 Gen2x1)
Terminal – Hdmi Output
HDMI connector (Type A)
Terminal – Others
3.5mm, stereo mini connector (Microphone), 3.5mm, stereo mini connector (Headphone), 2.5mm, Remote Release Connector, Hot shoe, Synchronized terminal
Power Supply
NP-W235 Li-ion battery (included)
Battery Life For Still Images
Economy Mode Approx. 720 frames, Normal Mode Approx. 580 frames
Actual Battery Life For Movie Capture
6.2K Approx. 90min. (29.97p),4K Approx. 70min. (59.94p), Approx. 60min (120p),Full HD Approx. 95min. (59.94p)
Continuance Battery Life
6.2K Approx. 120min. (29.97p),4K Approx. 105min. (59.94p),Full HD Approx. 165min. (59.94p)
Operating Temperature
-10 Degree C-40 Degree C
Operating Humidity
10% – 80% (no condensation)
Starting Up Period Approx. 0.49sec.
Battery Info
Required, included
Battery Material Lithium ion
Battery Type NP-W235
Battery Quantity 1
Dimensions (W x H x D)
External: 136.3 x 92.9 x 84.6-42.8mm
Weight
Including Battery and Memory Card: Approx. 660g Excluding Battery and Memory Card: Approx. 579g

[Darth Schneider]

Tönt ja eigentlich vielversprechend.
Aber der 300€ Fan verwirrt mich dann doch etwas…;)))
Gruss Boris

[Jörg]

Aber der 300€ Fan verwirrt mich dann doch etwas…;)))

die Verwirrung steigt, wenn du siehst, wie das Teil montiert wird.
Halt ein Notnagel für Konzertfilmer am Äquator...

[Funless]

Geduld Geduld werter Boris, nur noch ein paar Stündchen ...

Ich weiß zwar was es mit dem Fan auf sich hat aber wir wollen ja nicht die Arbeit der slashCAM Redaktion und den ganzen fleißigen YouTube Influencern, die bereits mit den Füßen scharrend darauf warten ihre Preview Videos online zu stellen, vorwegnehmen. ;o)

Offensichtlich also ProRes Aufzeichnung intern so wie bei der GH6, klingt nice. Und bin sehr gespannt wie die neu hinzugekommene Filmemulation "Nostalgic Neg." ausschaut. Tatsächlich filme ich ja bereits seit geraumer Zeit mit "Classic neg." (weiß der Geier weshalb Fuji das in deutsche als "Klassisch Schwarz" übersetzt hat) anstelle mit Eterna. Gefällt mir persönlich besser.

[cantsin]

Unter Fuji-Nutzern wird die Kamera sicher ihre Käufer finden, aber ich prophezeie, dass sie auch innerhalb Fujis Portfolio ein Nischenprodukt bleiben wird.

Für system-agnostische Hybridkamerakäufer wird der externe Lüfter wahrscheinlich ein Gegenargument sein und die Tatsache, dass die Kamera mit Lüfter fast doppelt soviel kostet wie die gerade vorgestellte Canon R7 (die ausserdem intern 10bit 4:2:2-Codecs aufzeichnet und deren Bayer-Raw-Stills einfacher in Programmen wie Resolve und After Effects verwendbar sind).

Für mich ist die große Praxisfrage, ob Fuji das alte (X-T3-/X-T4-) Problem der drastisch verringerten Farbauflösung (bzw. wahrscheinlich: zu aggressiven Chroma-Rauschfilterung) in F-Log und HLG mit der neuen Kamera gelöst hat. Vielleicht bringt da ja der ProRes-Codec die Rettung.

EDIT: Und, gerade ggü. der R7 und (ggü. der X-H2S ungefähr gleichteuren) Sony A7iv wird die wirklich große Frage sein, ob der Video-Autofokus substantiell verbessert wurde.

[Jörg]

Unter Fuji-Nutzern wird die Kamera sicher ihre Käufer finden, aber ich prophezeie, dass sie auch innerhalb Fujis Portfolio ein Nischenprodukt bleiben wird.

könnte sein, denn die benefits sind für X-T4 (Video)Nutzer nicht sooo erheblich höher, der hier
geforderte Fullsize HDMI ist für mich kein Wechselgrund, mit den AF Optionen
kann ICH zumindest wunderbar leben, die Farbdebatte ist hier kein Thema, da log nicht vorkommt.
Bin auf das Gesamtpaket gespannt, zumindest der AKKU passt, und ProRes werde ich sicher
genau ansehen. ;-))
Ob jemals jemand den Lüfter anpappt....?

[Funless]

Et voilá ..