1 How would you describe the aesthetics of your film? - 2 Why did you choose to shoot on dv? Because we didn't have money and I want to try the dv and see if it could be and alternative solution for people like me making no-budget films but trying to keep a hight quality in the images 3 What was special about shooting in dv (e.g.compared to 35mm, was it your first time with dv or are you used to it)? We were more quick and fast and we can view the images every day and that is not possible when you shoot in 35mm in Africa. It was the first time we use the DV but not the last... 4 Which camera and which editing software did you use? We shoot with the SONY DSP 200 The editing was made on AVID systeme 5 What was your shoot-edit ratio? We shoot 30h and the film is 2h26mn long 6 Would you have preferred to shoot in another format? If so which? No. 7 Does using dv mean that you are considering other means of distribution opposing the established? If so which? No. 8 One good word about dv (or two): It give us more freedom! 9 One bad word about dv (or two): The sound is not top [François L. Woukoache was born on 26 February 1966 in Yaoundé, Cameroon. There he went to school before moving to France, where he graduated from high school. In Paris he first studied mathematics, physics and cinematography at Jussieu University. He subsequently completed a degree at I.N.S.A.S. in Brussels, earning a diploma in directing. François L. Woukoache lives in Belgium. Filme / Films : 1992: Melina (documentary, 16mm, 52 min.). 1995: Asientos (documentary, 35mm, 52 min.). 1998: La fumée dans les yeux (feature film, 16mm, 20 min.). 1999: Fragments de vies (Forum 2000). 2000: Nous ne sommes plus morts.] nach oben [impressum]