Ich wollt mir das Teil holen aber ich bin etwas enttäuscht. Telekameras fallen qualitativ ab, weder variable Blende noch elektrischer ND für die beiden Telekameras, Portraitmodus als großes feature, das übliche marketing gewäsch mit 100 Megapixelmodus der minimal besser aussieht als die 25 im Standardmodus, kein prores.
File compatibility
Everything about the DJI Mavic 4 Pro so far sounds amazing, right? Well, let’s talk about one downside that will affect my regular shooting for sure: file compatibility.
When recording 6K at 60fps (H.264 All-I or H.265), only Premiere Pro and Handbrake could read the files properly. Even on a top-spec MacBook Pro M2 Max that usually cuts through any kind of footage in an instant, transcoding took hours. Dropping the resolution to 4K 60fps made transcoding five times as fast. Clearly, something’s not right — whether it’s a codec issue or a lack of QuickTime support, it’s a workflow headache.
Still no ProRes and no “Cine” version
This leads me to one of the biggest downsides of the Mavic 4 Pro: no ProRes recording. My Mavic 3 Pro Cine has a built-in 1TB SSD and supports all major ProRes formats (except RAW). These codecs are far easier to work with in post. ProRes is versatile and can be processed in any NLE without a hitch, and I don’t know why there isn’t a Cine version of the Mavic 4 Pro.
https://www.cined.com/dji-mavic-4-pro-f ... ng-gimbal/
