Apropos Arri, da fällt mir diese "Spielerei" (siehe Link unten) ein, die mich an die Steinzeit-Arris erinnert, mit denen ich noch in den 1980er Jahren gedreht hab. Die 35 IIc und deren legendärer Objektivrevolver. Da war der Zugriff zu drei Fixoptiken blitzschnell möglich.
Der kanadische DOP Ian Kerr wollte aus einer Not eine Tugend machen. Hier seine Ausgangssituation.
"I began to experiment with not switching lenses but switching camera bodies, one with a wide prime lens, the other with a long lens. This style of work was similar to that of photo-journalists but it meant carrying TWO built cameras at a time. To be effective, the camera form-factor had to be small and light (e.g. A7s) which were not ideal doc cameras.
I didn’t realize the extent of my frustration until I did a last-minute shoot with an old Sony F800 and my dusty 11×4.7 lens. The EVF was black and white, the camera chunky and it wasn’t great in low-light, but the experience was a revelation. The gear got out of my way and I could just follow story like I did in the old days. It was so easy that it made me want to weep. Then it made me mad."
Jetzt also Kerrs Erfindung, eine Neudeutung der Arri IIc. Also nicht wirklich originell, aber doch was "Neues" am Markt. Ich wünsche ihm damit viel Erfolg.
https://www.newsshooter.com/2019/04/10/ ... ew-school/
