VIDEOBERICHTERSTATTUNG | DV-FILME | TEXTE ZUM THEMA | ARCHIV 2002
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Ein fantastisches Drag-King-Abenteuer, das unter den verführerischsten Freibeutern spielt, die jemals die Weltmeere befuhren. [aus dem Berlinaleprogramm] QUESTIONNAIRE 1 How would you describe the aesthetics of your film? sexy bold piracy 2 Why did you choose to shoot on dv? it's inexpensive 3 What was special about shooting in dv (e.g.compared to 35mm, was it your first time with dv or are you used to it)? This was my first time. Compared to shooting on film, it was wonderful to be able to afford to do many takes of a scene. I was able to shoot a lot more footage. And because the gear is simple and lightweight, I didn't need a camera 'team', which also means spending more money. John Houtman, the cinematogropher did it all. 4 What was your shoot-edit ratio? I don't know, but low compared to the industry. Very high compared to what I usually shoot. 5 Would you have preferred to shoot in another format? If so which? For this film, miniDV was perfect. 6 Does using dv mean that you are considering other means of distribution opposing the established? If so which? Haven't had time to think about this. 7 One good word about dv (or two): freedom 8 One bad word about dv (or two): resolution [zurück zur DV-FILM ÜBERSICHT] [nach oben] |
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