PITCH MEETING – "The Slashcam Movieguy Feature Film"
Producer Guy:
So you’ve got a movie for me?
Slashcam Movieguy Screenwriter Guy:
Oh yeah. It’s gonna revolutionize filmmaking entirely.
Producer:
Oh wow, wow, wow.
What’s it about?
Slashcam Movieguy:
Well, it’s insziniert in a very raw-philosophical way.
Producer:
I think you mean insze-
Slashcam Movieguy:
No, no, no. That spelling is outdated by traditional handwerker thinking.
Producer:
…What?
Slashcam Movieguy:
Anyway, the story is basically theoretical.
I don't want to restrict it with details like… story.
Producer:
Okay but do you have footage? Tests? Anything?
Slashcam Movieguy:
I have this Kurosawa screenshot.
Producer:
That’s Kurosawa. You didn’t shoot that.
Slashcam Movieguy:
Sure, but aesthetically it represents what I would shoot if I ever shot something.
Producer:
Right… so why don’t you shoot something?
Slashcam Movieguy:
Well, my camera doesn’t fit into my car’s glove compartment.
Producer:
…What?
Slashcam Movieguy:
Yeah, I need a cinema camera that fits into a tiny plastic box next to my registration papers.
Otherwise it’s unusable for filmmaking.
Producer:
That’s… not a thing filmmakers usually require.
Slashcam Movieguy:
Roger Deakins requires it.
Producer:
No he doesn’t.
Slashcam Movieguy:
He also shot that entire World War I movie using only available light.
Producer:
He absolutely did not. There’s hours of behind-the-scenes footage disproving that.
Slashcam Movieguy:
Those are staged. Inszinierte propaganda.
Producer:
You spelled it wrong again.
Slashcam Movieguy:
I spelled it correctly for the purest cinematic truth.
Producer:
Okay… so let’s talk about your production plan.
Slashcam Movieguy:
Super simple.
The crew doesn’t get paid.
Producer:
What? Why?
Slashcam Movieguy:
Because they become shareholders of the artistic process.
Producer:
That’s not how compensation works.
Slashcam Movieguy:
It is now. And everyone brings their own food.
Producer:
Their own - Why?
Slashcam Movieguy:
Catering is for German beamtenmentalität.
True filmmakers chew dry bread in silence.
Producer:
This sounds deeply unpleasant.
Slashcam Movieguy:
Super easy, barely an inconvenience.
Producer:
Okay, what about lighting?
Slashcam Movieguy:
None.
Everything is shot RAW and fixed in post.
Producer:
You still need actual light.
Slashcam Movieguy:
No. RAW is light.
Producer:
That’s… unbelievably wrong.
Slashcam Movieguy:
Also, here’s another Kurosawa screenshot for reference.
Producer:
STOP SHOWING ME OTHER PEOPLE’S MOVIES.
Slashcam Movieguy:
It’s relevant because what I would shoot would look exactly like this -
if my camera fit into the glove compartment.
Producer:
…so you’re telling me your entire film doesn’t exist because of a plastic box in a 1998 Opel Corsa?
Slashcam Movieguy:
Exactly.
Welcome to cinema.


