Auf vielfachen Wunsch, gibt es jetzt unter anderem
eine White Balance und Black Balance Pipette.
Außerdem Canon Log 2 Unterstützung, verbessertes Face Refinement,
und bessere Unterstützung von mixed Framerates, sowie ne Menge kleinerer Fixes und Verbesserungen.
Collaboration
All new collaboration workflow which allows multiple users to work on the same project at the same time
Added ability for collaborating video/audio editors and colorists to work on the same timeline at the same time
Resolve Collaboration supports any shared storage technology and works with a PostgreSQL shared database server
Support for live saving all collaborator actions in a collaborative project
Support for Project Manager indicators to show collaborative projects
Ability for collaborators to pick a profile on their shared projects
First come first serve write access for Media Pool Bins with read access for everyone else
Live Media Pool side bar bin updates including user locks and refresh available indicators
Timeline indicators to show user locks and refresh available
Live update of Color Page thumbnail icons to indicate user locks and refresh available
Live sharing of Color Page still galleries
New compare timeline tool to simplify merging timelines from multiple collaborative users *
Live group chat feature on collaborative projects
Improved Performance, Fluidity And Usability
All new image processing engine with numerous performance improvements and optimizations
New image processing engine which maximizes single and multi-GPU utilization
Support for GPU processing using Metal on Mac
New optimized performance mode for improved playback
New dynamic memory manager for optimized CPU memory usage
Improved performance on single GPU laptops and workstations
Improved editing and playhead fluidity on the Edit page timeline
Dramatically improved latency of JKL playback
Improved Color Page playback start/stop latency
Improved Multicam playback performance
Improved pan and zoom on viewers when using the trackpad with support for an Alt/Option modifier
Improved performance when scrubbing H.264 and similar codecs
Support for hardware accelerated H.264 decoding when using NVIDIA GPUs on Linux and Windows
Support for improved CPU usage
All new database engine for improved management and performance on PostgreSQL and DiskDB
Support for a new live save option where changes are saved as you work
Support for incremental fast saves in the new and improved DiskDB
Ability to save, load, update and delete user UI layout presets
Improved media access and performance
Improved H.264 encode and decode performance
Improved performance for file listing in Media Storage
Improved scrolling performance in Media Storage folders and Media Pool bins with many clips
Improved speed of importing AAF timelines
Improve speed of Optimized media generation, transcoding and fusion rendering
Support for Optimized Media in 3D stereoscopic clips
Support of high frame rate timelines up to 120 frames per second - DaVinci Resolve Studio only
Support for up to 16Kx16K source images and timeline resolution
Ability to drag a file or folder from Finder/Explorer to Media Storage in order to navigate there
Improved performance when loading Gallery stills
Audio
New Fairlight audio processing engine for all audio in Resolve
New Fairlight page with dedicated audio editing, mixing, finishing and mastering controls
Support for unlimited audio tracks, 8 main, sub and aux outputs
Support for Fairlight Audio Accelerator and I/O hardware
Support for Fairlight free standing and desktop consoles
Single and dual monitor UI configurations on the Fairlight page
Fairlight page includes Media Pool, timeline, metering, mixer, effects, video preview, timeline index and inspector
Key Features
Six band EQ for every track
Expander/Gate, Compressor and Limiter Dynamics for every track
2D and 3D Pan control for sound placement *
Timeline toolbar includes a pointer and a marquee tool, automation state, snapping, flags, markers and timeline options
Automation includes trim state, touch, latch or off mode, event selection
Support for separate enables for fader, mute, pan, EQ, compressor, Gate, Aux, Limiter and Plugins
Monitoring and metering features
Level meters for all channels, Masters, Subs, Aux and groups
Monitoring of main outputs available in mono, stereo5.1, Atmos, Auro, DTS, IMAX and multichannel up to 22.2
Compound metering includes speaker group selection, phase and loudness with integration control
Video preview available as docked or popup viewer with SDI video output
Timeline features
Track sidebar includes controls for gain, automation, lock, solo, mute and record
Track sidebar includes indicators for track number, name, color, linked track andmeters
Timeline clips include user selectable indicators for clip name, gain, FX, group, EQ, Source, Speed, Linked status, stem/channel bit depth, sample rate and source channel
Timeline clips include full or rectified audio waveform with waveform border, gain level, fade handles and automation keyframe control
User selection of timecode display with subframes and samples, feet and frames or only samples
Five preset and custom user selectable track height with locks
New timeline index shows tracks and markers
UI dialogs for setup and assignment
Each mixer track includes input selection, effects, insert, EQ and dynamics graphs, output selection, aux, pan, main and submix selections
Mixer also includes track name and color, grouping, record, mute and solo selection and gain fader with meters
General audio improvements
New audio processing engine includes support for 192 KHz 24bit audio
Support for pitch correction when performing speed changes on all platforms
Support for pitch correction during FFW and FRW playback on the Edit page timeline
Edit
Key new features
Support for track colors on the timeline
Support for dragging just video or audio from the source viewer
Support for a toggle to switch between single viewer and dual viewer mode
Support of OFX plugins as filters in Timeline
Ability to drag and drop a transition from one clip to another
Redesigned Effects Library for easier navigation and search
Support for improved "Play Around" functionality with contextual behavior depending on selection
Support for Blur Dissolve transition
Support for audio waveforms on Multicam Clips, Compound Clips and Timeline Clips
Support for alpha rendering from source when using Fusion Connect
Added support for Live Preview of clip thumbnails in the Media and Edit page source viewers
Added menu options and shortcuts for marking and clearing split Video and Audio In and Out marks
Added menu option and shortcut for creating a Subclip
Clip adjustment improvements
Ability to "Remove Attributes" from one or multiple clips
New menu option to freeze frame the current frame under the playhead
Ability to select all keyframes in Keyframe and Curve editor using Ctrl/Command+A
Ability to linearize/smoothen curves for multiple selected keyframes in the Keyframe and Curve editor
Clip trim improvements
Ability to Alt/Option+Shift drag to resize a clip's In or Out point over an adjacent clip toautomatically create a transition
Ability to Alt/Option+Shift drag a clip from the Media Pool to overlap a clip in the timeline to add a transition
Support for two new trim commands in the Trim menu
Slip Playhead to In
Slip Playhead to Out
Support for slip functionality when performing an Extend Edit
Ability to duplicate and superimpose dragging selected clips from a track while holding down Alt/Option + Shift
Support for snapping when dragging and placing text elements in a Title in the Timeline viewer
Support for improved snapping when performing ripple edits
Ability to perform playback using JKL in Dynamic Trim Mode when no clip or edit point is selected
Conform improvements
Support for user selectable conform criteria when performing "Reconform from Bins"
Ability to "Reconform from Media Storage folders" for a Timeline
Support for missing on disk indicators and missing in Media Pool indicators in the Timeline
Support for importing 3D Warp Pitch and Yaw parameters in AAF from Avid Media Composer
Support for the following Index filtering options
Show Clip Color
Show Clips with Composite Effects
Show Clips with Transform Effects
Show Clips with Filters
Show Clips with Speed Effects
Show Fusion Connect Clips
Show Compound Clips and Nested Timelines
Show Clip conflicts
Show Flags of a particular color
Show Markers of a particular color
Show Stills and Freeze Frames
Ability to see conflicts in the Index Match column
New Position Lock on toolbar to lock ripple on tracks and timelines for Online Editing
Project setting to enable/disable automatically Conform when adding clips to Media Pool
Ability to set default number tracks and types in Project Settings > Editing > New Timeline Settings
Marker improvements
Ability to display Marker names and notes as viewer overlays
Ability to list clip markers in Media Pool list view
Ability to convert an In and Out point selection into a duration marker
Ability to navigate between markers from the option menu in the viewers
Ability to search and filter in the Index using Marker Name and Marker Notes fields
Ability to multi select timeline markers using a marquee
Media Pool improvements
Support multiple Media Pool windows either as a 2-up/4-up docked view or as new pop-up windows
Ability to hover over Media Pool thumbnails to mark in and out
Ability to "Rediscover Optimized Media" in the Media Pool
Ability to "Unlink Selected Clips" in the Media Pool
Support for missing on disk indicators in the Media Pool for both the thumbnail and list view
Support for Smart Bin and Smart Filtering based on Display Name
Ability to Create Bin With Selected Clips
Ability to create Smart Bin filters using Marker Name and Marker Notes
Ability to search in the Media Pool using Marker Name and Marker Notes fields
Ability to perform comma separated text matches in Media Pool search, Smart Bins and Smart Filters
Ability to add/remove items from current selection with keyboard modifiers (Ctrl/Command, Shift and Alt/Option)
Ability to Alt/Option drag clips in the Media Pool to duplicate them and put them in another bin
General improvements
Previous/Next clip now ignores selection when the selected clip is not visible
Support for a "Playback post-roll" option in the Timeline menu
Ability to drag video only or audio only from the timeline to the Media Pool
Support for retaining playhead position and in and out positions when swapping timelines
Ability to drag a OpenFX/ResolveFX filter onto one or multiple selected clips
Support for selecting resize algorithm per clip in the Inspector
Support for a progress bar when applying Lens Correction
Support for 100% levels in EBU Color Bar generator
Ability to search "All Fields" when applying a search filter in the Index
Support for toggling "Show Reference Wipe" is now available on the Edit page
Ability to Alt/Option click only the audio or video to override a linked clip selection
Added support for new Four Color Gradient generator
Color
ResolveFX improvements
ResolveFX plugins are now sorted into logical groups of effects
Support for starred favorites for OpenFX is now available on the Color page
Ability to paste tracking data between the FX tracker and the Power Window tracker
Improved ResolveFX Lens Flare
Support for Gamut Mapping in the ResolveFX Color Space Transform plugin
Support for Tone Mapping in the ResolveFX Color Space Transform plugin
New ResolveFX Plugins
ResolveFX Face Refinement - DaVinci Resolve Studio only
ResolveFX Warper - DaVinci Resolve Studio only
ResolveFX Match Move - DaVinci Resolve Studio only
ResolveFX Color Stabilizer - DaVinci Resolve Studio only
ResolveFX Timelapse Deflicker - DaVinci Resolve Studio only
ResolveFX Contrast Pop - DaVinci Resolve Studio only
ResolveFX Color Compressor
ResolveFX Abstraction
ResolveFX Watercolor
ResolveFX Lens Distortion
ResolveFX Gamut Mapping
ResolveFX Dead Pixel Fixer
ResolveFX Alpha Matte Shrink and Grow
ResolveFX Color Palette
ResolveFX Dehaze
ResolveFX Sharpen
ResolveFX Sharpen Edges
ResolveFX Soft Sharpen Skin
ResolveFX Camera Shake
ResolveFX Deband
ResolveFX Grid
General improvements
Support for a new advanced Stabilizer in the Tracker palette
Ability to add and control favorite ResolveFX and OpenFX plugins under Modes from the DaVinci Resolve Advanced Panel *
Support for improved jog and shuttle control on DaVinci Resolve Advanced Panel
Ability to toggle LightBox SDI output from the DaVinci Resolve Advanced Panel using Shift Down + CONFORM
Ability to toggle full screen LightBox from the DaVinci Resolve Advanced Panel using Shift Up + CONFORM
Ability to press and hold Reset on the DaVinci Resolve Micro and Mini panels to reset the node graph
Ability to press and hold Previous/Next Frame on the DaVinci Resolve Micro and Mini panels to jump to the beginning/end of the clip
Ability to press play/reverse repeatedly on the DaVinci Resolve Micro and Mini panels to increase playback speed
Ability to set the LCD brightness of the DaVinci Resolve Mini panel using LCD brightness in Control Panel settings
Ability to set the key backlighting of the DaVinci Resolve Micro and Mini panels in Control Panel settings
Ability to remember Bars vs. Wheels when switching to Primary from a Control Panel
Improved various knob and parameter sensitivities on the DaVinci Resolve Micro and Mini panels
Support for Gamut Mapping from Timeline to Output Color Space in Resolve Color Management
Support for Tone Mapping from Timeline to Output Color Space in Resolve Color Management
Support for the Common LUT Format (CLF) with examples - DaVinci Resolve Studio only
Support for scopes as an overlay on the Cinema viewer
Support for new commands and shortcuts to move selected keyframes
Selection of multiple keyframes no longer needs a modifier key
Support for track color on Color page timeline
Support for plugin name on FX nodes
Support for full height OpenFX inspector in full screen mode
Ability to set default number of neighboring clips for Split Screen in Project Settings >Color
Support for Clip Color indicators in the Color page Timeline
Support for adding any Media Pool clip as a matte to the current clip on the Color page
Improved support for ACES v1.0.3
Support for ACEScc, ACEScct and ACEScg color spaces in Resolve Color Management
Support for ACEScc, ACEScct and ACEScg color spaces in the ResolveFX Color Space Transform plugin
Support for ACEScc, ACEScct and ACEScg IDTs and ODTs when using ACES
Support for clip output render caching from pre and post group node graph
Support for showing picker RGB values in 8 bit or 10 bit available in the View menu
Ability to to toggle the viewer overlay mode on/off using Shift + `
Support for Ctrl/Command and Ctrl/Command+Shift for half and quarter increments in Printer Lights Hotkeys
Added support for selecting all clips in the Color page using Command/Ctrl+A
Media
Support for user selectable checksum methods in Clone Tool option menu
Ability to unmount drives from Media Storage on Mac and Windows
Ability to set custom whole number frame rates from 1 to 120 fps in Clip Attributes
Support for option to import ARRIRAW clips at the Open Gate resolution in Project Settings > CameraRAW > ARRI
Support for automatically cropping ARRI Quicktime clips to show only the active area of the sensor
Support for decoding clips from the Canon C200 camera
Support for latest EasyDCP library
Support for decoding Nikon RAW files
Support for MultiPart OpenEXR
Support for Constant and Variable bitrate in Quicktime ProRes and DNxHR codecs
Support for H.264 multi-pass encoding on Mac
Support for decoding H.264 Intra 422 10bit - DaVinci Resolve Studio only
Support for encoding to the MP4 format
Support for decoding High 10 Profile H.264 files on DaVinci Resolve Studio
Support for encoding VP9 profiles with higher bit-depth
Support for Network Optimization option in Quicktime renders
Support for 10b and 12b encoding options for DNxHR HQX and DNxHR 444
Support for Rec.2100 metadata in QuickTime renders
Support for decoding and encoding 32-bit float WAV files
Support for QuickTime reference movies on Linux and Windows
Support for drop frame timecode when performing a 3:2 pull down
General
Support for an improved Project Manager with an integrated Database manager
Ability to copy and paste one or multiple projects between databases
Ability to sort list of databases in Database manager
Support for a new Bicubic resizing filter option
User settings such as layout preferences are now saved locally on the machine
Ability to drag a bin into another bin in the Media Pool right hand side view
Support for a smaller page switcher on smaller screens
Ability to type in Project Manager and browse dialogs to automatically navigate to and highlight matches
Support for searching for shortcuts by command name or shortcut in Project Settings> Keyboard Mapping
Support for displaying conflicts when assigning shortcuts in Project Settings> Keyboard Mapping
Tags now support non-text parameters such as Timecode, Dates, Numbers and Resolutions
Support for undo/redo history available in the Edit menu
Support for an option to stop playback when frames are dropped on the SDI output
Support for remembering the last open page across multiple sessions
Added JKL playback support when in Cinema mode
Langsam bewegt sich die vierzehnte Version der ursprünglichen Color-Grading-Software DaVinci Resolve auf seine Finalisierung zu. Das fünfte Beta-Update bringt nun die Unt... Hier geht es zur Newsmeldung auf den slashCAM Magazin-Seiten: DaVinci Resolve 14 Beta 5: u.a. mit neuen Weißabgleichstools
Frank Glencairn hat geschrieben: ↑Do 06 Jul, 2017 10:42
Geht bis 120 FPS jetzt
Tja Frank, das war wohl ein Schuß in den Ofen!
Wieder wird 120er & 240er als 60er erkannt, wie vorher auch!
Auch kann ich immernoch nicht mehr als 60 wählen.
Schade, das kann ja wohl echt nicht so schwer sein, denn die Frames sind doch in den Metadaten enthalten,
wäre ja so als wenn das Prog nichtmal erkennen würde welche resolution es hat! :-(
Gerade mal wieder ausprobiert, naja. Aber wenn Resolve in diesem Tempo weitermacht, ist es in zwei, drei Jahren bestimmt als NLE und Audiosuite für die One-Man-Show so universell brauchbar wie derzeit die Adobe Suite, für welche manche ja sogar Geld bezahlen ;-). Bei einem professionellen Projekt mit Budget arbeite ich lieber mit einem professionellen Cutter (i.d.R. Avid), Mischtonmeister (Protools, Nuendo), und Grader (Baselight, Scratch) zusammen. Diese könnens wesentlich besser als ich, kosten nicht die Welt und mir nicht die Nerven, so daß man sich ganz auf Buch und Regie konzentrieren kann...
Lieber glaub ich Wissenschaftlern, die sich mal irren, als Irren, die glauben, sie seien Wissenschaftler.
Sagen wir mal so, ich habe mit allen 14´er Betas intensiv herum probiert und finde die fünfer schon recht stabil.
Für einen bezahlten Job würde ich aber auf den Nervenkitzel verzichten.
Jan
cantsin hat geschrieben: ↑Mo 10 Jul, 2017 14:57
Frage ans Forum: Wie sieht's mit der Stabilität der Beta 5 aus? Kann man es riskieren, mit ihr im Produktiveinsatz zu arbeiten?
Stuerzt bei mir unter macOS staendig ab. Besonders beim Import von manchen Ordnern.
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Blackmagic DaVinci Resolve / Fusion Forum 
